The Crysalis Moving Textiles series offered by the University for the Creative Arts in the UK features some of the world’s most exciting examples of textile innovation. An exhibition at the Herbert Read Gallery on the UCA Canterbury campus during June and July of 2014 brought forth some Jetson-like textile art projects that intrigued and even startled many hitherto-naive fiber lovers (c’est moi.) I had no idea that such a broad range of art students, faculty and professional fiber artists was exploring the interface between textiles and technology in so many amazing ways. No Luddite, I was a tad skeptical at the title: “Moving Textiles”, wondering if my long detour from London would only yield some self-indulgent fashion-school gimmickery. But no.
You had to be there, but the creative energy and out-of-the-box design sense in evidence were of the highest calibre. The thoughtful integration of technology in the design and function of textiles made attending this show both a delight and an education in textile modernity.
More photos and a better explanation of the aesthetic messages of the show are here.
Nothing enhances the charm and beauty of Paris more than the floral finery of springtime.
Burgeoning greenery in the gardens of the Musée Rodin surround and complement the array of August Rodin’s magnificent sculptures.
Familiar, even clichéd street scenes take on a freshness that portends the coming warm season.
The streets are beginning to stir with people and pets; new energy is found for walking, rain or shine, and for creating, perhaps a bright spring knit cardigan, or a new skirt in hemlock green.
Searching for just the right beautiful yarn, trendy fabric or distinctive buttons? There’s L’Atelier on Rue des Plantes — inspiring ribbons, buttons, yarn and more. The friendly staff are knowledgeable and not snobbish…one of many great haberdasheries in Paris.
Enjoy the Spring!
A bright-to-mute transition of color heralds the start of the cooler season in New England.
While spending time apple picking, pumpkin-carving and canning the last of the tomatoes, we hardy inhabitants of the Northeast U.S. can view our autumn landscape as an inspirational palette for winter art and craft creativity.
The woodpile grows, windows are weather-proofed, bulbs planted, the gardens put to bed. Fall festivals and country fairs are in full swing; neighbors share mulled cider and quote the Old Farmer’s Almanac, speculating on the harshness of the coming winter.
We pull out our warm knits and refresh them in the autumn breeze, maybe finding that some hats are too small, some scarves too short, or a sweater riddled with moth holes — and then there’s the Christmas knitting.
Patterns are explored and plans take shape for fall knitting, crochet and quilt projects.
There’s a unique pleasure in choosing the right materials for the right purpose, considering the recipient’s age, coloring and tastes. Our surroundings yield ideas for colorways that we might not have imagined – Nature always surprises, even when ‘helped along’ by man! Native or hybridized, the final splash of autumn color is a welcome and inspiring sight.
A major highlight of my spring London sojourn was visiting the Fashion and Textile Museum, Bermondsey Street, near London Bridge station.
Their featured exhibition was a heart-stopping retrospective of Kaffe Fassett’s incredibly versatile body of work, from his early needlepoint designs, through his prolific body of knitted work, and on to his current ‘quilt phase’.
Let me know if you would like a custom-designed itinerary for your London Textile Sojourn! And, I will be leading several 3-day London Fiber Tours in 2014 – subscribe to our mailing list, and watch this space!
What is this thing for?
Seeing this photo of my niece on a New York street, I pondered the retro fashion revival that’s been spurred on by Bomb Girls and other period dramas like Call the Midwife, starring feisty young women forging the path toward modern feminism. Go girls!
It’s encouraging to see strong women emerging again to champion the young and help them gain the confidence needed to grow into leadership roles. Sheryl Sandberg and her Lean In Foundation may prove to be the most valuable and lasting legacy of the Facebook era.
[Stepping down from soapbox.]
As the weather cools, I’m in search of small projects that will move my lace knitting status from ‘totally boggled’ to ‘clumsily competent’. On trusty Ravelry, I find the Rosie Headband by Jane Richmond and decide to try producing a slightly warmer version for our unpredictable New England Indian Summer weather.
Wanting a hip, 21st Century look, I go to my WEBS-is-crack stash, choose St. Denis Boreale fingering-weight wool in azalea (neon pink), double it and cast on with an Addi Turbo U.S. 7 circ.
Then pray. Simultaneously try to watch the newest ‘Foyle’s War’, but am foiled by a labyrinth of double yarnovers. Ask myself: as a native crocheter, why does my forehead become damp and my hands clammy when faced with ‘just a bit of knitted lace’? After several frog-backs, I get it! It’s actually fun, and wow, it’s done in two 4-hour bursts of inspired yarnovering. It’s lovely – I’m kind of proud.
Voila! Hope she likes it.
File under: Things I’m glad I knit, but could have crocheted in about 12 minutes.
Crocheted spider-web serves a dual purpose: screening an unsightly staircase and trellising a rose bush.
It’s been called ‘artistic vandalism’ and a waste of good fiber, but controversial or not, the covering of trees, statues and other public artifacts with crocheted or knit yarn, known as Yarnbombing, is continuing to intrigue both artists and amateurs around the world.
Thought to have originated with Texas-based fiber artist Magda Seyeg, street name KnittaPlease, yarnbombing has become a fuzzy phenomenon on a global scale. Though Knitta has gone commercial, (dressing a Prius in a sweater), yarnbombing has found its ideal niche in the drab industrial landscapes of cities like Detroit, Glasgow and Liverpool.
Philosophical objections have been raised that yarnbombing is a waste of material that will knowingly be transformed into something damp, moldy and stretched out. Should yarn that could make warm clothing be used to create amateurish street art? Those who don’t appreciate traditional graffiti would say its use of spray paint is wasteful too, whereas those who consider it an art form say the spray materials are artists’ tools. And should a painter’s oils be diverted to paint Habitat houses instead?
Twilight Taggers – Yarnbombing how-to
Yarnbombing – the book